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A codpiece () is a triangular piece that attached to the front of men's hose (clothing), hose, covering the Fly (clothing), fly. It may be held in place by ties or buttons. It was an important fashion item of European clothing during the 15th–16th centuries. In the modern era, similar clothing pieces are worn in the leather subculture, and in performance costumes, such as for rock and metal musicians. A similar device with rigid construction, an athletic cup, is used as protective gear for male athletes.
In 14th century European fashions, men's Hose (clothing), hose were two separate legs worn over linen Undergarment, drawers, leaving a man's genitals covered only by a layer of the linen drawers. As the century wore on and men's hemline fashion rose, the hose became longer and joined at the centre back, there rising to the waist, but remaining open at the centre front. Further shortening of the cote or doublet (clothing), doublet fashion resulted in more prominence of the genitals; this area would then be covered with a triangular material called a codpiece. Most of what is known about the cut, fit, and materials used for Renaissance codpieces is through portraits, clothing inventories, receipts for payments and tailor cutting guides.
As time passed, codpieces became shaped and padded to emphasize rather than to conceal the penis.
Such excessive codpieces became an object of derision showered on outlandish fashions. The Renaissance author, François Rabelais, refers satirically to a book entitled ''On the Dignity of Codpieces'', in the foreword to his 1532 book, ''The Histories of Gargantua and Pantagruel''.
This fashion reached its peak of size and decoration in the 1540s before falling out of use by the 1590s.Suits of Armour, armor of the 16th century followed civilian fashion, and for a time, codpieces were a prominent addition to the full suits of armor.
A few examples of full suits of armor with codpieces are on display in museums today. The Metropolitan Museum of Art in New York City has one. The Higgins Armory in Worcester, Massachusetts also had an example on display until its close. The armor of Henry VIII of England, Henry VIII displayed in the Tower of London has a codpiece as well.
Examples of metal parts of such armor are depicted by Wendelin Boeheim in his 1890 publication on the history of weapons, ''Handbuch der Waffenkunde'', which was published in Leipzig, Germany.Boeheim, Wendelin, ''Handbuch der Waffenkunde. Das Waffenwesen in seiner historischen Entwickelung vom Beginn des Mittelalters bis zum Ende des 18. Jahrhunderts''. Seemanns kunstgewerbliche Handbücher. Vol. 7, ZDB-ID 53757-3. Seemann, Leipzig 1890.
File:Giovanni Battista Moroni 009.jpg, Portrait of Antonio Navagero (1565) with an accentuated codpiece, oil on canvas by Giovanni Battista Moroni, Pinacoteca di Brera, Milan
File:Tizian 081FXD.jpg, Charles V, Holy Roman Emperor, by Titian, 1533, shown wearing a codpiece with short doublet, Museo del Prado.
File:Armor of Emperor Ferdinand I (1503–1564) MET DT773.jpg, Armor of Ferdinand I, Holy Roman Emperor (1549), Metropolitan Museum of Art
Pantagruel's Seventh Chapter:The Title as Suspect Codpiece
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Codpieces in art from The Guardian
{{Men's undergarments 16th-century fashion Western plate armour Medieval European costume Trousers and shorts Undergarments
A codpiece () is a triangular piece that attached to the front of men's hose (clothing), hose, covering the Fly (clothing), fly. It may be held in place by ties or buttons. It was an important fashion item of European clothing during the 15th–16th centuries. In the modern era, similar clothing pieces are worn in the leather subculture, and in performance costumes, such as for rock and metal musicians. A similar device with rigid construction, an athletic cup, is used as protective gear for male athletes.
In European fashion
From the ancient world there are extant depictions of articles of clothing designed to cover just the male genitalia; for example, archaeological recovery at Minoan civilization, Minoan Knossos on Crete has yielded figurines, some of whom wear only a garment covering the male genitalia. However, the codpiece, ''per se'', appeared in everyday European fashion for men only many centuries later, associated with hose and trousers.
In 14th century European fashions, men's Hose (clothing), hose were two separate legs worn over linen Undergarment, drawers, leaving a man's genitals covered only by a layer of the linen drawers. As the century wore on and men's hemline fashion rose, the hose became longer and joined at the centre back, there rising to the waist, but remaining open at the centre front. Further shortening of the cote or doublet (clothing), doublet fashion resulted in more prominence of the genitals; this area would then be covered with a triangular material called a codpiece. Most of what is known about the cut, fit, and materials used for Renaissance codpieces is through portraits, clothing inventories, receipts for payments and tailor cutting guides.
As time passed, codpieces became shaped and padded to emphasize rather than to conceal the penis.
Such excessive codpieces became an object of derision showered on outlandish fashions. The Renaissance author, François Rabelais, refers satirically to a book entitled ''On the Dignity of Codpieces'', in the foreword to his 1532 book, ''The Histories of Gargantua and Pantagruel''.
This fashion reached its peak of size and decoration in the 1540s before falling out of use by the 1590s.Suits of Armour, armor of the 16th century followed civilian fashion, and for a time, codpieces were a prominent addition to the full suits of armor.
A few examples of full suits of armor with codpieces are on display in museums today. The Metropolitan Museum of Art in New York City has one. The Higgins Armory in Worcester, Massachusetts also had an example on display until its close. The armor of Henry VIII of England, Henry VIII displayed in the Tower of London has a codpiece as well.
Examples of metal parts of such armor are depicted by Wendelin Boeheim in his 1890 publication on the history of weapons, ''Handbuch der Waffenkunde'', which was published in Leipzig, Germany.Boeheim, Wendelin, ''Handbuch der Waffenkunde. Das Waffenwesen in seiner historischen Entwickelung vom Beginn des Mittelalters bis zum Ende des 18. Jahrhunderts''. Seemanns kunstgewerbliche Handbücher. Vol. 7, ZDB-ID 53757-3. Seemann, Leipzig 1890.
Gallery
See also
* Jockstrap * Koteka, penis sheath used in Papua New Guinea * Kynodesme * Willy warmer * 1500–1550 in fashion * 1550–1600 in fashionReferences
Notes Further reading * Ashelford, Jane: ''The Art of Dress: Clothing and Society 1500–1914'', Abrams, 1996. . * Ashelford, Jane. ''The Visual History of Costume: The Sixteenth Century''. 1983 edition (), 1994 reprint (). * Edge, David: ''Arms and Armor of Medieval Knights: An Illustrated History of Weaponry in the Middle Ages''. * Karen Hearn, Hearn, Karen, ed. ''Dynasties: Painting in Tudor and Jacobean England 1530–1630''. New York: Rizzoli, 1995. . * Bodemer, Brett:Pantagruel's Seventh Chapter:The Title as Suspect Codpiece
."
External links
*Codpieces in art from The Guardian
{{Men's undergarments 16th-century fashion Western plate armour Medieval European costume Trousers and shorts Undergarments